Editor: Is that piece on the changing role of curators in the digital world ready for Saturday? Features editor: No Editor: Not to worry we’ll put up this Homer Simpson nail art tutorial video. And they did
Is Jim Allen the oldest performance artist still standing? He’s definitely the oldest standing operating a chainsaw and with Marina Abramovic at 66, Vito Acconti 74, Gina Paine and Carolee Schneemann just a year older and even Yayoi Kusama a youthful 85, we reckon the honours most definitely go to Allen at 92. On Wednesday night about 50 people watched him recreate the performance On planting a native from 1976 that involved cutting down a small tree and representing it on the gallery wall. In the audience was art writer and critic Wystan Curnow who has been a strong supporter of Allen and the other performance artists of the seventies. It was quite something to see Curnow transfixed by the performance as though it were the first time he had seen Jim Allen at work. He even edged closer mid-performance to take more pictures. Turns out that Curnow is also that other essential glue to the art world, a fan. Image: Wystan Curnow photographs Jim Allen at Michael Lett
"The art world is an old boys’ club. People tend to promote people who are like themselves. The barriers to financial success persist for women artists as well. Even for the women who have broken records at auction, their prices are still only one-third the value of the top male artists at auction—on a good day." Barbara Lee, a Boston based philanthropist who only collects art by female artists
There has probably never been a wackier representation of art in the movies than the 1955 vehicle for Dean Martin and Jerry Lewis Artists and their models. It was the last Lewis Martin team-up and revolves around the struggles of painter Rick Todd who has to do billboard work to keep afloat. In a parallel universe the real James Rosenquist was also a billboard painter learning the techniques that he would put into his famous Pop paintings of the early sixties. For Martin and Lewis the billboard paint job inevitably ends in spilling big tubs of the stuff on the client and a passing cop. Still, this rather sorry mess of a movie ends with a big production number on a giant palette, so not all bad. In fact the movie was presented as a satire on the paranoid delusions of the McCarthy hearings via the censorship and control of comics (Lewis is a comic nut in the movie). You can see the billboard sequence here.
Images: top to bottom left to right, Dean Martin ‘paints’ lips high above the street and James Rosenquist in action above Times Square c.1957, whoops, the palette as art signifier, again, and the small poster for the movie with obligatory palette.
To anyone (that’s anyone living below the Bombay Hills) who doesn’t believe that Auckland is now the Cultural Capital of NZ, here’s some numbers based on the Walters Prize and the Venice Biennale. And they are kind of compelling. Compelling that is if you believe that representation by a dealer gallery is one possible measure of an artist's standing. Anyway, of the 25 artists who have been finalists in the seven Walters Prizes, all are represented in Auckland and just seven in Wellington. Then in the last two Prizes non of the eight finalists are represented in Wellington at all. Of the nine artists who have carried the NZ flag at the Venice Biennale, only three are represented in Wellington. Over both of our major art events then less than 30 percent of the exhibitors are represented by a Wellington dealer. As to the South Island, someone down there can do that sorry sum..
And for the record, the lists:
NZ’s representation at the Venice Biennale: 2001 Jacqueline Fraser and Peter Robinson 2003 Michael Stevenson 2005 et al. 2009 Francis Upritchard and Judy Millar 2011 Michael Parekowhai 2013 Bill Culbert 2015 Simon Denny
Walters Prize: 2002 Yvonne Todd Gavin Hipkins John Reynolds Mike Stevenson
2004 et al. Jacqueline Fraser Ronnie van Hout Daniel von Sturmer
2006 Francis Upritchard Stella Brennan Phil Dadson Peter Robinson
2008 Peter Robinson Edith Amituanai Lisa Reihana John Reynolds
2010 Dan Arps Fiona Connor Saskia Leek Alex Monteith
2012 Kate Newby Simon Denny Alicia Frankovich Sriwhana Spong
2014 Luke Willis Thompson Simon Denny Maddie Leach Kalisolaite Uhila
LATER: Initially we thought it was the Len Lye Trust proposing this wacky idea. But reading the article again, who exactly is going to do this thing is a bit of a mystery. We are assuming the Len Lye Trust is in there somewhere, the City Council probably, maybe the Govett-Brewster - all jumping the shark together?
We posted on this great house designed by Austrian architect Fritz Eisenhofer last year when it was up for rent. Last week when we drove past it was playing second fiddle to the art garage-sale from hell.
When the first director of the Australian National Gallery James Mollison purchased Jackson Pollock’s Blue poles all hell broke loose. One of the newspapers headlined with 'Barefoot drunks painted our $1 million masterpiece'. One reason for the uproar was the painting’s price of $A1.3 million. Once a work was over the million mark it required Government approval and in this case the PM Gough Whitlam (a staunch Mollison supporter) told the ANG director, "Buy it and disclose the price."
Another of Mollison's spectacular purchases was Elvis a 1963 silkscreen by Andy Warhol. This cost the Gallery just $25,000, didn’t need ticking off, and slipped into the collection virtually unheralded the same year as the Pollock uproar. Many of Mollison's purchases have been vindicated by the market many times but he must have laughed last week when an Elvis painting from the same series as the ANG’s one sold for $A93.6 million at Christie's. This was a world record for Warhol. OK there were three Elvises in this one but it’s still $31.2 mill an Elvis however you look at it.
As you’re no doubt set to paint the house this weekend (or someone else’s house) why not double up and make art at the same time. That’s what they did in the Hungarian People’s Republic during the years of what was tactfully known as “Goulash Communism”. By combining traditional patterns with a touch of Russian constructivism painters also raised a painted finger to the regime. In our DIY-mad culture painting your house this way would be sure to get the neighbors and possibly the local Council going. Many of the Hungarian houses have been photographed by Katharina Roters, and you can see more here on Picturesdotnews where we saw them first.
One thing about adding stuff into OTNSTUDIO is how quickly it grows. As of today we have 37 artists on the site and 81 studio visits. This is a mixed blessing really as now things are a little harder to find. Hmmm…we might have a go at doing a visual index. Today though we've added to the problem by putting up four more records of studio visits. The earliest are a few images of Julian Dashper taken in 1989. Julian was clowning around doing impressions of artist poses (we’ve already posted these on OTN) and finished up by posing as himself. About the same time the following year we were with Michael Smither who was painting a detailed self-portrait that you can see in its early stages. The Lillian Budd pics are from January 2000 and as per the wishes of the Estate Lillian Budd's image has been redacted. The most recent photos are from Glen Hayward’s studio in Wanganui. He is the current Tylee Cottage resident in Wanganui and that’s where these pics were taken.
Image: Glen Hayward in his Tylee Cottage Residence studio, October 2014
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